Losses

It was not dying: everybody died.
It was not dying: we had died before
In the routine crashes-and our fields
Called up the papers, wrote home to our folks,
And the rates rose, all because of us.
We died on the wrong page of the almanac,
Scattered on mountains fifty miles away;
Diving on haystacks, fighting with a friend,
We blazed up on the lines we never saw.
We died like ants or pets or foreigners.
(When we left high school nothing else had died
For us to figure we had died like.)
In our new planes, with our new crews, we bombed
The ranges by the desert or the shore,
Fired at towed targets, waited for our scores-
And turned into replacements and woke up
One morning, over England, operational.
It wasn't different: but if we died
It was not an accident but a mistake
(But an easy one for anyone to make).
We read our mail and counted up our missions-
In bombers named for girls, we burned
The cities we had learned about in school-
Till our lives wore out; our bodies lay among
The people we had killed and never seen.
When we lasted long enough they gave us medals;
When we died they said, “Our casualties were low.”
They said, “Here are the maps”; we burned the cities.
It was not dying-no, not ever dying;
But the night I died I dreamed that I was dead,
And the cities said to me: “Why are you dying?
We are satisfied, if you are; but why did I die?”
When we died they said, “Our casualties were low.”
They said, “Here are the maps”; we burned the cities.

It was not dying-no, not ever dying;
But the night I died I dreamed that I was dead,
And the cities said to me: “Why are you dying?
We are satisfied, if you are; but why did I die?”

The Orient Express

One looks from the train
Almost as one looked as a child. In the sunlight
What I see still seems to me plain,
I am safe; but at evening
As the lands darken, a questioning
Precariousness comes over everything.

Once after a day of rain
I lay longing to be cold; and after a while
I was cold again, and hunched shivering
Under the quilt's many colors, gray
With the dull ending of the winter day.
Outside me there were a few shapes
Of chairs and tables, things from a primer;
Outside the window
There were the chairs and tables of the world....
I saw that the world
That had seemed to me the plain
Gray mask of all that was strange
Behind it-of all that was-was all.

But it is beyond belief.
One thinks, “Behind everything
An unforced joy, an unwilling
Sadness (a willing sadness, a forced joy)
Moves changelessly”; one looks from the train
And there is something, the same thing
Behind everything: all these little villages,
A passing woman, a field of grain,
The miin who says good-bye to his wife_
A path through a wood full of lives, and the train
Passing, after all unchangeable
And not now ever to stop, like a heart-

It is like any other work of art.
It is and never can be changed.
Behind everything there is always
The unknown unwanted life.

Prayers of Steel

Lay me on an anvil, О God.
Beat me and hammer me into a crowbar.
Let me pry loose old walls.
Let me lift and loosen old foundations.
Lay me on an anvil, О God.

Beat me and hammer me into a steel spike
Drive me into the girders that hold a skyscraper together
Take red-hot rivets and fasten me into the central girders
Let me be the great nail holding a skyscraper through blue
nights into white stars.

Threes

I was a boy when I heaid three red words
a thousand Frenchmen died in the streets
for: Liberty, Equality, Fraternity-I asked
why men die Jor woкds.

I was older; men with mustaches, sideburns
lilacs, told me the high golden words are:
Mother, Home and Heaven-other older men with
face decorations said: God, Duty, Immortality
-they sang these threes slow from deep lungs.

Years ticked off their say-so on the great clocks
of doom and damnation, soup and nuts: meteors flashed
their say-so: and out of great Russia came three
dusky syllables workmen took guns and went out to die
for: Bread, Peace, Land.

And I met a marine of the U.S.A., a leatherneck with
a girl on his knee for a memory in ports circling the
earth and he said: tell me how to say three things
and I always get by-gimme a plate of ham and eggs-
how much?-and-do you love me, kid?

Anecdote of Hemlock for Two Athenians

The grizzled Athenian ordered to hemlock,
Ordered to a drink and lights out,
Had a friend he never refused anything.

“Let me drink too,” the friend said.
And the grizzled Athenian answered,
“I never yet refused you anything.”

“I am short of hemlock enough for two,”
The head executioner interjected,
“There must be more silver for more hemlock.”

“Somebody pay this man for the drinks of death,”
The grizzled Athenian told his friends,
Who fished out the ready cash wanted.

“Since one cannot die on free cost at Athens,
Give this man his money,” were the words
Of the man named Phocion, the grizzled Athenian.

Yes, there are men who know how to die in a grand way.
There are men who make their finish worth mentioning.

THE SNOWSTORM

Announced by all the trumpets of the sky,
Arrives the snow, and, driving o'er the fields,
Seems nowhere to alight: the whited air
Hides hills and woods, the river, and the heaven,
And veils the farm-house at the garden's end.
The sled and traveler stopped, the courier's feet
Delayed, all friends shut out, the housemates sit
Around the radiant fireplace, enclosed
In a tumultuous privacy of storm.

Come see the north wind's masonry.
Out of an unseen quarry evermore
Furnished with tile, the fierce artificer
Curves his white bastions with projected roof
Round every windward stake, or tree, or door.
Speeding, the myriad-handed, his wild work
So fanciful, so savage, nought cares he
For number or proportion. Mockingly,
On coop or kennel he hangs Parian wreaths;
A swan-like form invests the hidden thorn;
Fills up the farmer's lane from wall to wall,
Maugre the farmer's sighs; and at the gate
A tapering turret overtops the work.
And when his hours are numbered, and the world
Is all his own, retiring, as he were not,
Leaves, when the sun appears, astonished Art
To mimic in slow structures, stone by stone,
Built in an age, the mad wind's night-work,
The frolic architecture of the snow.

GOOD-BYE

Good-bye, proud world! I'm going home:
Thou art not my friend, and I'm not thine.
Long through thy weary crowds I roam;
A river-ark on the ocean brine,
Long I've been tossed like the driven foam:
But now, proud world! I'm going home.

Good-bye to Flattery's fawning face;
To Grandeur with his wise grimace;
To upstart Wealth's averted eye;
To supple Office, low and high;
To crowded halls, to court and street;
To frozen hearts and hasting feet;
To those who go, and those who come;
Good-bye, proud world! I'm going home.

I am going to my own hearth-stone,
Bosomed in yon green hills alone,--
secret nook in a pleasant land,
Whose groves the frolic fairies planned;
Where arches green, the livelong day,
Echo the blackbird's roundelay,
And vulgar feet have never trod
A spot that is sacred to thought and God.

O, when I am safe in my sylvan home,
I tread on the pride of Greece and Rome;
And when I am stretched beneath the pines,
Where the evening star so holy shines,
I laugh at the lore and the pride of man,
At the sophist schools and the learned clan;
For what are they all, in their high conceit,
When man in the bush with God may meet?